Canister!
Small stories that don’t warrant full posts on their own:
- A big chunk of Burnside’s Bridge at Antietam National Battlefield spalled off recently. The National Park Service will be making repairs this coming spring and summer, but money is tight. Folks who would like to donate to this effort can send checks to Antietam National Battlefield / P.O. Box 158 / Sharpsburg, MD 21782. Make the check payable to “Antietam National Battlefield” and (important!) be sure to mark in the notation line that it is for Burnside’s Bridge. The NPS will be updating the status of repair work on their Facebook page.
- The six-square-block cemetery complex on Broadway in Galveston may soon be added to the National Register. That’s great news, because with the possible (but not certain) exception of the State Cemetery in Austin, I don’t think there’s any patch of ground in this state that more historic persons-per-acre than that one. Just among CW folks there’s Louis T. Wigfall and John Bankhead Maguder, plus lots more of more specific, local interest.
- A new play at the City Center Stage II in Manhattan, “Row After Row,” looks at three Civil War reenactors in a “likable comedy-drama reveals that these hyperactive history buffs are just normal folk like the rest of us, with job troubles, love troubles, life troubles — but with a predictable quirk or two.” Runs through February 16.
- Every True Southron™ knows that the Museum of the Confederacy is a shameful disaster, infested with political correctness and run by traitorous scallawags. They think this, place, though, looks awesome!
- Congratulations to Temple, Texas resident Brian Floca, whose book Locomotive just won the Randolph Caldecott Medal for the year’s most distinguished American picture book for children (top). Locomotive tells the story of a family traveling from Omaha to Sacramento on the newly-finished Transcontinental Railroad in 1869. Go buy it now.
- And why, exactly, do Zouaves get all the action?
- Are you interested in having Justin Bieber’s green card revoked and having him deported? If so, sign here.
- An old issue of The Daybook, a publication of the Hampton Roads Naval Museum, has some neat CW-related stories that I recently discovered. Go have a look (PDF).
- A self-described Bigfoot tracker is coming to Houston to display the corpse of a Sasquatch he claims he shot in San Antonio (!) in 2012. He will not be answering questions about the last time he did that in 2008, when the corpse turned out the be a ratty-ass gorilla suit frozen in a block of ice and he publicly admitted the hoax. This one’s totally real, dood. Totally.
- Alexandria, Virginia has repealed a city ordinance requiring certain streets to be named after famous Confederates.
- Over at Talking Points Memo, Josh Marshall has a nice essay about Pete Seeger and his place in a musical arc that spans from Lead Belly to Woodie Guthrie to Bob Dylan to Bruce Springsteen.
- Speaking of Springsteen, the Governor of New Jersey needs to face the fact that his love for the Boss is an unrequited one:
Got any more? Put ’em in the comments.
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Tuesday Concert: “Forever Young” with Pete Seeger
At The Atlantic, Andrew Cohen sums up the lesson of Seeger’s long and eventful life:
You can say that you didn’t like his music or complain that his embrace of Communism did not end soon enough (or did not end at all). You can say that that he should not have gone to Vietnam in 1972 or that he should have been more critical of Castro’s Cuba. There are plenty of political criticisms you could make about the man, his life, and his legacy.
But what made his life remarkable weren’t his political beliefs—right or wrong there are plenty of people with such beliefs. It was the countless selfless acts he took in honor of those beliefs. Here was a man who dedicated the entirety of his long life to profound social issues, a man unafraid to take controversial positions on the biggest issues of his age even when those positions were not popular or expedient. “I believe that there are things worth saying,” he would say and, of course, he was right.
So Pete Seeger was there in the 1950s singing about the perils of McCarthyism. When he was (naturally) brought in for questioning by the House Committee on Un-American Activities he did not plead the Fifth Amendment and refuse to answer questions. Instead, courageously, he denounced the Committee’s efforts to question him about his political and religious beliefs. For this he was convicted and blacklisted from television and radio.
And Pete Seeger was there during the civil rights movement, on the march from Selma to Montgomery, for example, or in Mississippi singing for the Freedom Riders—singing for Schwerner, Chaney and Goodman—during the fateful summer of 1964. Here’s a photo of him in Meridien, singing to the kids who would help change a nation (and, in some cases, lose their lives).
And Pete Seeger was there during the Vietnam War, singing about the need to bring American troops home. When CBS infamously censored his rendition of “Waist Deep in the Big Muddy” in 1967 he waited and came back one year later and sang the song on television. Forty years later, the censors gone, he was there singing protest songs about the Iraq War.
His critics often called Pete Seeger anti-American. I think the opposite was true. I think he loved America so much that he was particularly offended and disappointed when it strayed, as it so often has, from the noble ideals upon which it was founded. I don’t think that feeling, or the protests it engendered, were anti-American. I think they were wholly, unabashedly American.
History will be much kinder to Pete Seeger than it will be to many of his critics.
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Superinteressante!
A few weeks ago I was contacted by a graphic designer working with the Brazilian magazine Superinteressante about using my renderings of U.S.S. Monitor in an upcoming issue devoted to weaponry. I’m not familiar with the magazine, but it’s described in Wiki as a “scientific and cultural magazine, that uses simple language focusing on the understanding of complicated topics by the general public.” I got a sneak peek at the layout today (above). Works for me.
Previous post related to Monitor here.
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Friday Night Concert: “Dixie” by Karen Elson with the Secret Sisters
Here’s another track from the recent album, Divided and United. This one is by Karen Elson with the Secret Sisters (Laura and Lydia Rogers), and is an old, alternate version of the song as a romantic ballad. It’s just beautiful, and if you’ve never heard it that way, it’s worth a listen.
Y’all stay warm. It’s cold out there.
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New on the Shelf
Dropped by the bookstore this morning and picked up a few titles that looked interesting:
- Lincoln’s Avengers: Justice, Revenge and Reunion After the Civil War, by Elizabeth D. Leonard
- Now for the Contest: Coastal & Oceanic Naval Operations in the Civil War, by William H. Roberts
- The Making of Robert E. Lee, by Michael Fellman
- Dixie Betrayed: How the South Really Lost the Civil War, by David J. Eicher
- The Old Man: John Brown at Harper’s Ferry by Truman Nelson
Most of these will probably take a while to get to, so if y’all have any suggestions about what to look for — or look out for — in them, let me know.
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For the Ferroequinologists
Auto-train collision in Hermann Park, Houston, on Sunday. No injuries reported.
Seriously, people, don’t try to “beat the train.” Image via @EssBradley.
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Update, January 23: Bob Huddleston points to this video from the train:
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Checking Back on Lexington
Today is the Friday before the third Monday in January, and that means it’s Lee-Jackson Day in Virginia. This seems like an opportune time to check in on Lexington, and see how the Virginia Flaggers’ boycott of the city is going.
Long-time readers here will recall that, as part of their campaign to force the city council to reverse its September 2011 flag ordinance, Confederate Heritage™ advocates urged area residents and visitors to boycott city businesses as a means of putting pressure on the council.
When we last checked, the city had released its comprehensive financial report for FY2012 (July 1, 2011 to June 30, 2012), that covered a period for about ten months after the council vote and the initiation of the boycott. The results were pretty good for the citizens of Lexington, but not so good for those actively working to harm that city’s tourist economy — business activity as measured by sales tax revenue, restaurant food tax revenue and hotel/motel tax revenue all improved substantially over FY2011.
So how did things go in FY2013 (July 1, 2012 to June 30, 2013)? As it turns out, by those same measures, FY2013 was another good year for tourism-related business in Lexington. Here are the numbers from the city’s Comprehensive Annual Financial Report for FY2013 (p. 91):
Note that in each of those tourism-related categories, actual revenues exceeded the city’s own budget projections by several thousand dollars (last column).
So after nearly two years of a tourism boycott led by local SCV leader Brandon Dorsey and promoted by the Virginia Flaggers, what’s been the effect on revenues for the city? An increase of nearly $340K over FY2011 levels, led by a whopping 25.5% boost in restaurant food tax revenue in the past year alone:
I know Dorsey and the Virginia Flaggers want folks to believe that Lexington has turned its back on Lee and Jackson — a claim that seems ludicrous, given those mens’ prominence in local tourism literature (above) — but their boycott doesn’t seem to be having any more more effect than the”Boot Elrod” campaign did in 2012, when the Lexington mayor was re-elected with a larger share of the vote than in 2008. Unemployment in Lexington remains higher than the national average, but it has been for a long time, since well before the flag ordinance, and is substantially lower than in September 2011. The reality is that Lexington’s tourism-related business numbers are strong, and that part of the local economy is doing better than the U.S. national economy overall.
I sure hope Brandon Dorsey and the Virginia Flaggers decide to organize a boycott of tourism in my town; we could use the boost!
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Foner on Teaching History
By way of Michael Lynch at Past in the Present, David Cutler’s interview with Pulitzer Prize-winner Eric Foner offers some worthwhile thoughts on the value of studying history, and why we’re mostly teaching it wrong:
Where should high-school teachers place more emphasis on the skills of history—the literary aspect of it, or the actual content?
I respect what high-school teachers do enormously. They have a much harder job than we do at the college level. I think both are important. I’m strongly in favor of students knowing the facts of history, not just memorizing or having it drilled into their heads. I’m certainly against this testing mania that’s going on now where you can judge whether someone really understands history by their performance on a multiple-choice test.
Knowledge of the events of history is important, obviously, but also I think what I see in college students, that seems to be lacking at least when they come into college, is writing experience. In other words, being able to write that little essay with an argument. I see that they think, “OK, there are the facts of history and that’s it—what more is there to be said?” But of course, the very selection of what is a fact, or what is important as a fact, is itself based on an interpretation. You can’t just separate fact and interpretation quite as simply as many people seem to think. I would love to see students get a little more experience in trying to write history, and trying to understand why historical interpretation changes over time.
Is an emphasis on rote memorization lessening student interest in history, and making the field seem less relevant to younger generations?
I think it probably is. There are many reasons for that. I think there’s a general tendency in education nowadays toward what you might call the pragmatic side of education, which is fine. The students need to have jobs eventually, no question about it. But education is not just a vocational enterprise—teaching people the skills that will enable them to get jobs–although that’s obviously part of it. [We]’re also teaching citizens. We try to teach people the skills that come along with studying history. The skills of evaluating evidence, of posing questions and answering them, of writing, of mobilizing information in order to make an argument. I think all of that is important in a democratic society if people are actually going to be active citizens. Teaching to the test does not really encourage emphasis on those aspects of the study of history.
Foner’s pretty much dead-on in his critique. I’ve had some great history teachers over the years, but not a one of them before college, and I honestly wouldn’t give two cents for the educating I got in history — world history, U.S. history, Texas history — all the way through high school. Foner’s correct, as well, about the centrality of writing to the practice of history. Writing about historical events, in one form or another, really does seem to be the key to the whole business, as it (hopefully) forces one to think and articulate lucidly about complex and contentious subjects.
I need to write more.
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Thoughts on Corey’s Departure from Blogging
As many of you know, Corey Meyer took down his blog, The Blood of My Kindred, last week after an incident in which a Confederate flag and a sack of coal, directed at him, were left near his place of work. Kevin Levin sees this as an act of intimidation, and I do, as well. Although several of us have been the targets of threats, violent rhetoric or efforts to make trouble at our jobs, Corey has been a particular favorite of folks employing such tactics; in the last few moths he’s been the target of both a Facebook group and an online petition set up explicitly to cause problems for him at work.
One of the first folks to respond to Corey’s announcement was Dave Tatum, who immediately adopted a “no true Scotsman” refutation, saying that “who ever pulled the stunt with the flag and coal ‘Does Not’ represent The Southern Heritage Community!” I’m not sure why Dave is so certain of this, given that fairly prominent online defenders of Southron Honour™ have repeatedly engaged in threats and endorsements of violence directed against bloggers they dislike. Perhaps Dave has a short memory, and forgot this gem from Carl Roden, posing as a young woman named “Amanda”:
It goes on like that for another 1,650 words.
Or this, just over a year ago, from Josephine Bass:
Bass thinks it’s my “due” to be shot in the face. And she posted that comment about “gone to your kids school and shot up the place” four days after a gunman slaughtered 20 six- and seven-year-olds at an elementary school in Connecticut. Neither Roden nor Bass have suffered any repercussions from Tatum’s revered “Southern Heritage Community” for this sort of foul behavior. There are other examples, but these will suffice.
There’s no reason whatever to doubt that the sort of person who would write something like this — or condone it — would hesitate leaving an anonymous “message” directed at Corey of the type he describes, if that person thought he could get away with it. Furthermore, I’m quite certain that if the person or persons behind this flag business at Corey’s school are found, they will will suffer no repercussions or sincere denunciations from the “Southern Heritage Community.” Because the reality is, they’re just fine with this sort thing, so long as it’s directed at someone they dislike.
The reverse is not true, of course; when I carelessly suggested that the SCV should “stomp” Clint Lacy, who was at the time in the habit of doing lots of really ugly race-baiting on a blog he advertised as being “your voice in the Sons of Confederate Veterans,” Lacy immediately shrieked that I was calling “for a non-for-profit fraternal organization to bring violence to my doorstep.” It was a stupid and careless thing for me to write, but I doubt that anyone — least of all Clint “No Apologies” Lacy himself — believed that was genuinely intended as incitement to physical violence. Nonetheless, I publicly retracted what I’d written and learned a lesson: be careful what you say and do, because it will always be turned back on you if it can be.
Yet, in the meantime, the True Defenders of Southron Honour™ continue to toss violent rhetoric like so much confetti. The day after Corey’s announcement, a foolish young man from Tennessee announced publicly his homicidal intentions to “wipe the yankee scum from the face of the earth.” Fantasy? Undoubtedly, but it’s completely typical of the mindset. It’s just who they are, and they have no compunction about it. The need to fantasize about killing “yankees,” to threaten, to intimidate, to skulk around and try and make trouble for people they dislike, is all part of the same toxic mixture of bile and resentment. It is a mark of their frustration at their own impotence to carry out their agenda through conventional and honorable means, on a level playing field. They seek to silence those they disagree with, by intimidation or threats of violence, if need be. Skulking around an empty school ground over the holiday break to leave an anonymous “message” for someone they dislike? It’s as predictable as it is shameful.
Know them. It’s who they are.
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Is this Captain Henry Gadsden of the Transport Arago?
If you’ve read much about the U.S. Navy in the Civil War, you’ve probably come across this much-published image:
Sometimes this image is identified as being David Dixon Porter (see here, and here, and here), but that’s almost certainly wrong. Apart from the full, bushy beard, it doesn’t much look like him, the build is wrong (Porter was not a pudgy guy), as is the sleeve braid — in fact, it doesn’t follow any of the sets of uniform regulations that applied during the war for line officers.
Well, I think I found him — he’s the officer conducting gun drill aboard the chartered Army transport Arago:
Check out the irregular spacing between the top stripe and the lower set on the left cuff.
What do you think? Same dude?
The Library of Congress caption identifies the ship with the prefix “U.S.S.” Arago, but that’s incorrect — she was never formally commissioned into the U.S. Navy. Arago was a big, ocean-going sidewheel steamer, launched at New York in 1855. She was 285 feet long, with a beam of just over 40 feet. Her iron-framed paddlewheels were 33 feet in diameter.
Arago probably would have spent her career running between New York or Boston and Europe, but in 1862 she was chartered by the U.S. Navy to hunt down the Confederate ironclad Virginia (Merrimack). The timely arrival of the U.S. Navy’s warship Monitor at Hampton Roads on the night of March 8-9, 1862 would put an end to the threat posed by Virginia, and Arago spent most of the rest of the war under charter to the U.S. Army, transporting men and supplies up and down the eastern seaboard. In July 1863, Arago even captured a blockade runner off the Carolinas, which must have been an extremely rare occurrence for a chartered merchantman. Although she was an important part of the Union’s logistical effort, as far as I can tell Arago was never a commissioned warship, or directly owned by the U.S. government.
But back to the man supervising gun drill on the steamer’s deck. Can he be identified? There is a candidate, Arago‘s master, Henry A. Gadsden. Captain Gadsden appears to have been in command of the ship for much (or perhaps all) of her wartime service. He was in command of her before the war, on the route between Harve, France, Southampton, United Kingdom, and New York. He was in command when Arago took the blockade runner in mid-1863, and finally, in April 1865, when the ship brought back from Charleston the U.S. Secretary of War’s delegation to the ceremonial raising of the U.S. flag over Fort Sumter. (Arago‘s apssengers on that trip included Generals Robert Anderson and Abner Doubleday, both veterans of the Sumter bombardment in 1861, N. H. Swayne, an Assiciate Justice of the Supreme Court, and numerous other members of Congress and government officials.) While I cannot say for sure that his command of the ship was continuous from 1861-65, it might have been.
Is the man with the cuff stripes, the one photographed by the rail with the telescope under his arm, and photographed again supervising gun still on the ship’s main deck, the Arago‘s master? It certainly seems plausible. If so, it’s likely Captain Gadsden himself.
I’d sure like to find out.
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