The Politically-Correct Origin of the Confederate Battle Flag
For many True Southrons™ today, the Confederate Battle Flag (or “Southern Cross”) has taken on a significance not only as a symbol of the Confederate military forces of 1861-65, but of the South as a whole. Some go farther still, insisting that the flag itself is a sacred Christian object, bearing the Cross of St. Andrew, reflecting the Confederate cause as explicitly Christian one.
While some folks choose to project their own religious interpretation onto the Confederate Battle Flag, the origin of the design was not only not sectarian, it was explicitly designed to avoid religious symbolism. As John Coski relates in his definitive study, The Confederate Battle Flag: America’s Most Embattled Emblem, the banner was designed by Confederate Congressman William Porcher Miles (right, 1822-1899), who set out in March 1861 to create a distinctive pattern for a national flag for the new Confederacy. Miles began with a familiar secessionist emblem, but subsequently modified his original layout with the intent to remove any overt Christian symbology:

William Miles’s disappointment with the Stars and Bars [i.e., the “First National” flag of the Confederacy] went beyond his strong ideological objections to the Stars and Stripes. He had hoped that the Confederacy would adopt his own design for a national flag-the pattern that later generations mistakenly and ironically insisted on calling the Stars and Bars. The design that Miles championed was apparently inspired by one of the flags used at the South Carolina secession convention in December 1860. That flag featured a blue St. George’s (or upright) cross on a red field. Emblazoned on the cross were fifteen white stars representing the slaveholding states, and on the red field were two symbols of South Carolina: the palmetto tree and the crescent. Charles Moise, a self-described “southerner of Jewish persuasion,” wrote Miles and other members of the South Carolina delegation asking that “the symbol of a particular religion” not be made the symbol of the nation.
In adapting his flag to take these criticisms into account, Miles removed the palmetto tree and crescent and substituted a diagonal cross for the St. George’s cross. Recalling (and sketching) his proposal a few months later, Miles explained that the diagonal cross was preferable because “it avoided the religious objection about the cross (from the Jews & many Protestant sects), because it did not stand out so conspicuously as if the cross had been placed upright thus.” The diagonal cross was, Miles argued, “more Heraldric [sic] than Ecclesiastical, it being the ‘saltire’ of Heraldry, and significant of strength and progress (from the Latin salto, to leap).” [1]
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Miles’ design didn’t get much traction as a national flag in early 1861, but it was remembered by General P. G. T. Beauregard later that year, and was soon adopted as the Battle Flag of the Army of Northern Virginia. [2] In that capacity is gained wide popularity in the South, and eventually became the key element in both the Second National and Third National Flags of the Confederacy. Miles’s original design was ultimately vindicated, and remains today one of the most widely-recognized flags anywhere.
Miles had made a point of using the heraldic term “saltire” to describe the diagonal pattern he settled on, and explicitly distanced his design from any intent at religious symbolism – “more Heraldric [sic] than Ecclesiastical.” This may come as a shock to some present-day Confederate heritage activists, some of whom wield their own religious beliefs like a cudgel and project back onto the Confederacy their own brand of Christianism. Nonetheless, the reality is that the revered Battle Flag was the result of a conscious attempt by Miles and his collaborators to make its design less Christian, and so less offensive to people of other faiths. Miles rejected the notion that his flag was a religious symbol at all, and instead sought to make it an explicitly secular one. And he did so as a member of the congressional delegation from South Carolina, the fire-eating state that led the South into secession in the first place. To put it in terms familiar to those who follow debates about its use and meaning, the design of the Confederate Battle Flag was, in the context of its time and place, a cave-in to “political correctness.”
Furthermore, as Coski pointed out recently in an essay at the New York Times Opinionator blog, contemporary references to the design as the “Southern Cross” were allusions to the astronomical constellation, not the Cross of Calvary. For patriotic Southerners like George Bagby, editor of the Southern Literary Messenger, it was the constellation — usually invisible below the southern horizon to those in the northern hemisphere — that was a symbol of the Confederacy’s future greatness. Channeling the imperialistic ambitions shared by groups like the Knights of the Golden Circle, Bagby saw in the constellation the destiny of the Confederacy:
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Anyone looking for the “Southern Cross” known to the Confederates of 1861 should look to the night sky, not the Holy Bible.
People can, and always will, find religious imagery and inspiration in all manner of temporal objects. That’s a matter of their particular belief, and they’re welcome to it. But neither should we confuse what people believe as a matter of faith, with the historical record. While symbols like the Confederate Battle Flag evolve through their use and association to have many different meanings to people, it’s also important to keep discussions about those meanings grounded in the words and actions of those associated with them, over the last 152 years. Open and frank discussion about those things will avail a far more comprehensive understanding of this symbol and its troubled past – and its future.
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[1] John M. Coski, The Confederate Battle Flag: America’s Most Embattled Emblem (Cambridge: Harvard University Press, 2006), 5-6.
[2] Devereaux D. Cannon, Jr., The Flags of the Confederacy: An Illustrated History ( Memphis: St. Lukes Press, 1988), 58.
[3] George Bagby, “Editor’s Table,” Southern Literary Messenger, January 1862, 68.
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Image: William Porcher Miles, Library of Congress.

Lexington Flag Case, Reidsville Monument Updates
Oral arguments were held Wednesday in the Virginia SCV’s appeal to reinstate their lawsuit against the City of Lexington, that had been dismissed by the district court last year. There are several news items about this, but the only one I’ve seen that describes events in the courtroom is this item from the Washington Post and the AP:

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My earlier thoughts on why the Virginia SCV is probably going to lose this one are here.
In other news, it looks like the Reidsville, North Carolina monument knocked down in an automobile accident two years ago is finally being restored, this time in the Confederate veterans’ plot at the local cemetery, owned by the UDC. The question of who owned the monument itself has been central in the dispute over whether to restore at its previous location or move it to the cemetery, as the UDC wanted to do. Over time, though, challenges to ownership of the monument seem to have fallen away:
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Naturally, the usual crowd is furious about this development, in the comments section. But there’s also this little gem of information, that I hadn’t been aware of before:
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You really can’t make this stuff up.
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MoC to Debut Gettysburg Exhibit

Senior curator for the Museum of the Confederacy, Robert Hancock, holds the sword carried by Confederate Brigadier General Lewis A. Armistead during the Battle of Gettysburg in a work room at the museum in Richmond, Va., Wednesday, May 1, 2013. The Museum of the Confederacy in Richmond, Va., will open the exhibit “Gettysburg: They walked through blood” on May 11 to commemorate the 150th anniversary of the Battle of Gettysburg. (AP Photo/Steve Helber)
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The Museum of the Confederacy is about to open an exhibit that rivals the scope of the battle itself (h/t C.M. Winkler):

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Wowsa!
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Canister!
As a frequent Amazon customer, I get regular recommendations for books on subjects they think I might be interested in. Here’s the recommendation list I got last week:
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I really cannot deny that those topics are of interest to me. Also this week I got a statement from the publisher on the steamboat book, that it’s crossed the threshold for generating royalties. Given the very narrow subject matter, I’m glad it’s officially in the black.
I also have three more speaking engagements lined up for the next few months, on Buffalo Bayou steamboats in Galveston on June 23 and in Liberty on July 15, and at the Brazoria County Historical Museum on October 17 for Texas Archaeology Month. Scheduling details to follow soon.
In other news, some of it CW-related and some not:
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- Al Mackey has been doing a bang-up job at his blog, systematically knocking down cherished Southron myths about Fort Sumter. He’s cheating, of course, by using the contemporaneous words and actions of the participants themselves; he hasn’t cited Tom DiLorenzo once.
- Confirmed: Written accounts of cannibalism at Jamestown during the “starving winter” of 1609-10, thought by some modern scholars to be exaggerations, are now supported by archaeological evidence.
- David Rumsey is probably the world’s foremost private collector of historic maps. More important, he’s long been committed to sharing those with a wider audience through the Internet. A few of them can even be viewed here, overlaid in Google Maps. Even more gooder, Rumsey recently added more than 38,000 (!) items from his collection to the new Digital Public Library of America. There goes your afternoon.
- Along those same lines, blogger Brian Schrock hosts the Google Earth Time Machine, using that application’s historical imagery to track changes in human and natural geography over time. Schrock is originally from Houston, so Texas locations feature prominently in his posts.
- Corey Meyer continues to highlight the Southern nationalist movement’s recent infatuation with stickers. My own observation is that the compulsion to cover every flat surface with stickers is transitory, peaking at about age four or five. So maybe Cushman will start posting about his Barbies® soon. That’ll be fun.
- Art conservators at the Vatican believe they’ve discovered the oldest European depiction of Native Americans, dating to 1494. That’s cool.
- Over at Defending the Heritage, Robert Mestas takes the case of two Union sailors killed aboard U.S.S. Hatteras to argue that the men, both immigrants, “probably had no idea who they were fighting or what they were fighting for.” Neither Mestas nor anyone else has any idea what these individuals thought or believed, of course, but then consider the source — Mestas makes up fake quotes from Confederate veterans, too. Don’t get me wrong, I’m glad he follows my blog, I just wish he were a little more candid with his own readers about his sources when his lifts pictures from from it.
- A relatively new blog, The Freedmen’s Patrol, has been digging down into the weeds of secession and slavery since it debuted a few months back. I’ll have more to say later, but there’s some real education happening over there, and the blog deserves more attention. For now, check out the posts on some Americans’ fixation on taking over Cuba as an annexed slave territory, as outlined here, here and here. American designs on Cuba didn’t start when the battleship Maine went boom.
- Harper Lee, arguably the greatest living Southern writer, is suing the son-in-law of her former agent to recover the copyright to her 1961 Pulitzer Prize-winning novel, To Kill a Mockingbird.

Got any more? Put ’em in the comments below.
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Just Makin’ Stuff Up
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This is (at least) the fourth time Gary’s posted this nonsense:

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That’s not even remotely true; Hanger, Inc. dropped a not-insignificant amount of money a couple of years back on making this video (above). The company not only developed a webpage about its origins, they created a separate Internet domain for it, Hanger150.com. You go to main company website, click on “About Us,” then on “Hanger’s History.” Two clicks, that’s all. Hell, James Edward Hanger’s biography on the site begins with the sentence, “On June 1, 1861, 18-year-old engineering student James Edward Hanger left his family, forgoing his studies at Washington College. . . to join his brothers in the Confederate Army.”
Have any of the nearly 2,000 True Southrons™ over there ever nudged Gary on this foolishness? Not as far as I can tell. But then, it’s heritage: it doesn’t matter if it’s true, so long as it reaffirms your oppression under the boot heel of political correctness.
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Update, May 5: Gary clears up the confusion, while complaining about “bloggers who likes to fact check posts here and straigten [sic.] the wrongs of the world.” As usual, the true villain here is not the person who repeatedly posted something demonstrably untrue, but the person who publicly called him on it. Good times.
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Articles on U.S.S. Hatteras, U.S.S. Clifton

The new issue of the Texas Historical Commission’s newsletter, The Medallion, has articles on last fall’s expedition to the U.S.S. Hatteras wreck site (pp. 10-11), and the return of the restored “walking beam” from U.S.S. Clifton to the Battle of Sabine Pass site. The Hatteras article can be downloaded here (PDF).
Enjoy, y’all.
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Image: “The Fatal Chase” by Tom Freeman. Copyright © Tom Freeman 2012, all rights reserved. Used with permission.
Call for Historical Marker to Recognize Slave Labor

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My friend and colleague Jim Schmidt had a great guest column in Saturday’s Galveston County Daily News:
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150 Years Ago: Isle Needs marker to Honor Civil War Slaves
By JAMES M. SCHMIDT
The New Year’s Day 1863 Battle of Galveston was undoubtedly the zenith of the island’s Civil War story, but it was by no means the end.More than two years of fighting remained and in many ways they were the worst of the war for those who remained on the island: soldiers, the few remaining citizens, and hundreds of enslaved African-Americans, who worked — and died — building fortifications. That slaves did the lion’s share of the work in constructing the Galveston defenses was nothing new: slaves had actually built fortifications in the early days of Galveston during the Texas Revolution. The first call for slave labor on behalf of the Confederate forces in Galveston may have been as early as November 1861, when Gen. Paul Hebert authorized an aide on his staff to induce local planters “to assist in the erection of fortifications for the defense of the coast, in loaning their Negroes (sic) for that purpose.” Likewise, in April 1862, Gen. William R. Scurry declared that “it is absolutely necessary that every preparation for defense should be made to protect Texas from invasion. … In a short time, with Negroes to work on the fortifications, the Island can be made impregnable, and the State saved from the pol(l) uting tread of armed abolitionists.” To that end he called on planters in 20 counties to “send at once one-fourth of their male Negro population … with spades and shovels … to report to Galveston.” It was after the Battle of Galveston, though, that the work began in earnest. Indeed, only days later, a Confederate soldier wrote his wife that he expected that his unit would be permanently located in Galveston, and added with just confidence, “unless the Federals whip us out, which they are not likely to do.” His work was now devoted to securing the recaptured island, and he added: “In a few days we will have this place well-fortified. There are several hundred Negroes here at work building new fortifications and repairing those already built.” In April 1863, Col. Valery Sulakowski, the supervising engineer, reported that more than 600 enslaved African-Americans were engaged at the saw mills — carrying sod, timber and iron — and cooking or working on harbor and gulf defenses. The officer called for hundreds more, but getting additional slave labor was no easy task: Texas planters routinely volunteered insufficient numbers of their slaves to the periodic calls. It is no wonder they were reluctant: archival hospital records show that many slaves died from disease, exhaustion or injuries suffered while constructing the Galveston defenses. The slaves themselves did not leave a record of their toil, but the work left at least one young girl without a father. In a 1930s interview, Philles Thomas, born into slavery in Texas, explained, “I can’t ’member my daddy, but mammy told me him am sent to de ‘Federate Army an am kilt in Galveston.” Perhaps the time has come to install a historical marker to commemorate the slaves who labored — and died — on the island during the Civil War.
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James M. Schmidt is a research scientist with a biotech firm in The Woodlands. He is a contributor, editor or author of five books on the Civil War, including, most recently, Galveston and the Civil War: An Island City in the Maelstrom, The History Press, 2012.
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Image: Impressed slaves building fortifications at James Island, South Carolina. Schomburg Center for Research in Black Culture, New York Public Library.
Thank You, Burton!


I got to spend Saturday at the Burton Cotton Gin Festival, one of the big dates on the local calendar there. Although I’d visited the museum there many times, this was the first occasion to be there for the festival. Nothing says small-town Texas like hearing a polka cover of Hank Williams’ “Take These Chains from My Heart” by the Shiner, Texas Hobo Band (above). I missed the cotton ginning-and-baling demonstration — the gin’s 16-ton, 1925 Bessemer Type IV diesel oil engine, “Lady B,” is reportedly the largest internal combustion engine of its vintage still operating in the United States — but in all it was great fun!
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As someone who’s spent a long time around small, local history museums, I must say I was genuinely impressed by the size of the event. There are only 350 people living in Burton, and I’m pretty sure at least half of them were volunteering at the event. Kudos to the Burton Cotton Gin Museum, its staff and volunteers, and the community, for putting on such an impressive event.
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Norris White, Black Confederate “Brothers” and the “Flipside” to Glory
A while back, Kevin highlighted a news item on Norris White, Jr., a graduate student at Stephen F. Austin State University who was making the rounds last year, doing presentations and generally talking up the subject of African American soldiers in the Confederate army. Norris White seems to be serious and well-intentioned, and (thankfully) he’s no stream-of-consciousness performance artist like Edgerton. But being sincere is not the same thing as being right. For all his insistence that he’s using primary sources, White’s interviews seem to be little more than reiterating black Confederate rhetoric that the SCV has been asserting for years. While he insists on the importance of primary source materials — “100 percent irrefutable evidence — letters, diaries, pension applications, photographs, newspaper accounts, county commission records and other evidence” — there’s little indication that he’s looked carefully at the materials, or understands them in the larger context of the war and the decades that followed. It’s very shallow stuff he’s doing, hand-waving at a pile of reunion photographs, pension records and loose anecdotes and saying, “see? Black Confederates!” Anyone can do that, and plenty of people do.
It says a lot about the depth of his research that in interviews, White has repeatedly singled out two Texas Historical Commission markers as evidence of his much larger claims about “Black Texans who served in the Confederate Army.” These markers, one to Randolph Vesey (Wise County) and the the other to Primus Kelly (Grimes County), are worth closer examination for what they say, and what they don’t. I obtained copies of the historical marker files for both markers, that you can dowload here (Vesey) and here (Kelly). Both men, as was usual at the time the markers were set up, were explicitly and effusively lauded for their loyalty and sacrifice not to the Confederacy but as (in the case of Kelly), “a faithful Negro slave,” right there in the very first line of the marker.
The files are thin — the THC was less diligent about documentation in past decades than they are now — but neither file contains any contemporary documentation of its subject at all. Both amount to a recording of local oral tradition, which is vivid not though always reliable. Both accounts make it explicitly clear that the two men went to war as personal servants, Vesey to General William Lewis Cabell, and Kelly to the West brothers, troopers in the Eighth Texas Cavalry. But it’s very thin stuff to spin into a claim that “the number of black Texans who participated in the Confederate Army in the War Between the States may have been as high as 50,000,” which would be a figure substantially higher than the entire male slave population of Texas between ages 15 and 50 in 1860, which was a bit under 44,000. Claims like that on White’s part seriously undermine his credibility.
Vesey’s and Kelly’s stories, as reflected in the marker files, are well worth reading, and telling. In Vesey’s case, his wartime experiences with General Cabell probably paled in comparison with his being captured by Indians a few years later and being held prisoner for three months, until his release was secured by one of the legendary characters of the Texas frontier during that time, Britt Johnson.

Primus Kelly’s marker file, though, is much more interesting from the perspective of the advocacy for black Confederates, because included in the file is a 1990 article by Jeff Carroll on Vesey from Confederate Veteran magazine, the official publication of the SCV. The magazine article is a reprint of an article that first appeared in the Midlothian, Texas Mirror on May 31, 1990. Kevin has often suggested that the Confederate Heritage™ groups’ push to find black Confederates in the 1990s was, in part, a reaction to the success of the film Glory (1989), and its depiction of both African American Union soldiers. In light of that, it’s significant that Carroll’s article was originally published just six weeks after Denzel Washington won an Oscar for his role as Private Trip in that film, and moreover, was explicitly framed by its author as the “flipside” to that work:

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There’s no indication that Carroll referenced any materials on Kelly other than the text of the marker itself, but he embellishes that text with all sorts of assertions that are completely unsupported. Take, for example, this passage from the marker:
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In Carroll’s retelling, this becomes:
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There’s a world of difference between “West sent Kelly” and “Primus refused to stay at home,” but it’s entirely typical of the way advocates like Carroll depict African American men’s involvement with the Confederate army; it’s always shown as voluntary choice, motivated by noble intent, never out of legal obligation or against their wishes.
The is no evidence in the historical marker files of Kelly’s relationship with the West sons, much less the suggestion that they were “constant companions.” Carroll begins his essay by making the generalized claim that “custom often dictated that the sons of a slave owner received as their own property and slaves of their own age when they’ were children. They were daily and inseparable companions who shared the experience of growing up and became surrogate brothers,” and then paints that assertion right across Primus Kelly. He characterizes Kelly’s relationship with the Wests as that of “brothers” three more times in five short paragraphs, based (as far as I can tell) on no evidence whatsoever. We’ve seen claims like these made falsely before.
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It’s also highly unlikely that Primus Kelly would have been an “inseparable companion” to any of the West brothers, given the difference in their ages. According to the 1870 U.S. Census (above), Primus Kelly was born about 1847, making him much younger than Robert (age 22 upon enlistment in 1861, giving him a birthdate of c. 1839), John (age 27 upon enlistment in 1861, birthdate c. 1834), or Richard (age 32 upon discharge in January 1863, birthdate c. 1831). Primus Kelly was about eight years younger than the youngest of the Wests, and in fact was barely into his teens when he accompanied the Wests off to war. He was not a childhood companion of any of these men, and the three brothers were living at Lynchburg in Harris County — almost 100 miles away from their father in Grimes County — at the time of the 1860 census.
Carroll’s description of the Wests is somewhat misleading, as well. According to the marker, Richard was reportedly wounded twice in battle and escorted all the way back to Texas by Kelly. Carroll repeats this claim, without question. But if this happened, neither wound is recorded in his compiled service record at NARA. What is recorded is that Richard was given a medical discharge for chronic illness not related to combat injuries in January 1863, nine months after enlisting. It seems very unlikely that during those nine months, Richard West would have been twice wounded so severely that he required an extended convalescence back home in Texas, and made the round journey twice, without there being a record of it in his file.
The three brothers did not enlist together, as Carroll suggests; Robert and John, ages 22 and 27 respectively, enlisted in September 1861, when the regiment was first being organized, while their older brother Richard, age 31 or 32, didn’t join the regiment until May of 1862. Carroll cites Chickamauga (September 1863) and Knoxville (November/December 1863) as fights in which Terry’s Rangers participated, but only Robert might have been present, as he was taken prisoner sometime during the latter part of 1863. Richard was medically discharged, and John was dead. Robert died in April 1905, his obituary appearing in the Confederate Veteran magazine in July of that year.
Kelly is said to have followed the Wests into action, “firing his own musket and cap and ball pistol.” There are many such anecdotes from the war, and they may well be true in Kelly’s case. There is a report in the OR (Series I, Vol. XVI, Part 1, p. 805) by a Union officer from the Battle of Murfreesboro, July 1862, that “The forces attacking my camp were the First [sic., Eighth] Regiment Texas Rangers, Colonel Wharton, and a battalion of the First Georgia Rangers. . . . There were also quite a number of negroes [sic.] attached to the Texas and Georgia troops, who were armed and equipped, and took part in the several engagements with my forces during the day.” But if this is one of the events that Kelly participated in, it underscores the argument that those men were camp servants following their troopers into action, rather than troopers in their own right.
Did Carroll set out to fictionalize Primus Kelly’s story? I don’t know, but to all intents and purposes that was the result. The end product is as much happy fantasy as fact. And even then, it wouldn’t matter so much were it not that other authors have gone on to cite Carroll, including Kelly Barrow’s Black Confederate. In fact, the article is a mess, in which even knowable, factual information is misrepresented. Under the circumstances, I actually think there is one other thing that this article could appropriately borrow from Glory, and it comes right at the very, very end of the movie:
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This story is based upon actual events and persons.
However, some of the characters and incidents portrayed
and the names herein are fictitious, and any similarity
to the name, character, history of any person,
living or dead, or any actual event is entirely
coincidental and unintentional.
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Like so much else that’s been written about black Confederates in the last 23 years, Jeff Carroll’s article takes a kernel of fact, churns it in a bucket with inaccurate or flat-out-false information and untethered speculation, to create a warm-and-fuzzy story that reassures the Confederate Heritage™ crowd that it was all good, and there’s nothing particularly troubling or complex about any of it — because, you know, they were like brothers. The thing that’s notable about it is that (1) it’s undoubtedly one of the earliest of its type, (2) it’s offered explicitly as a corrective to the narrative presented in Glory, and (3) it so fully expresses the modern talking points that define the push to relabel men who used to be called (as in Kelly’s case) “a faithful Negro slave,” into something far more palatable for modern audiences.
I understand why people want to believe this happy nonsense; it takes a raw, ugly edge off a time and place they have chosen to embrace tightly. What I don’t understand is how someone like Norris White would fall for it. Unlike most of the folks who peddle this stuff, White presumably has the academic background and the research skills to dig into the weeds of this stuff, and understand what the sources actually say. (A good place to start is acknowledging that an historical marker by the side of the highway is not a primary source.) He has the skills and resources to say something new, but instead repeats the same half-truths that have been circulating for decades.
Please, Mr. White, tell Randolph Vesey’s story, and Primus Kelly’s. But tell them fully and completely. Any damn fool can read off the text of a roadside marker and pretend that’s research. You’re better than that, Mr. White, so show us.
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Update:

Federal Court: State Acted Within Authority on SCV Plates
I was sure wrong about that one. While I thought the case would turn on the Equal Protection Clause (because the state issues specialty plates to everyone and their dog already), and thus go in the SCV’s favor, the court rejected that notion, in part because the SCV has recourse to other avenues (such as direct action by the Lege) to get that accomplished:
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As it happens, the Lege is in session in Austin right now, so there’ s six weeks left to get some action on this, if the Texas SCV chooses to go that route.
I also thought this, from the ruling, was interesting:
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This encapsulates what I was trying to get at when I wrote this post. Whether the SCV thinks that the Buffalo Soldiers “should” be viewed as offensive to Native Americans as the CBF is to some others, the evidence that that’s the case just isn’t there. It was a weak argument to begin with, and while I’m surprised at the court’s decision, I’m glad they saw that part of it the same way.
Still, it’s a surprising outcome I didn’t expect. On to the Fifth Circuit in New Orleans!
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H/t Kevin.






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